I watched this 1944 film quite often as a child, and the haunting atmosphere it created, like shimmering sequins in shadows, has stuck with me ever since.
Writer, artist, independent fashion scholar and vintage apparel enthusiast living and working in Brooklyn, New York. My clothing and textile research interests include subcultural style, the fashion/art interface, and aspects of representation and identity in dress. Among my most prized possessions are a white cotton 50s bikini, pair of 1930s grass-green suede strappy sandals and a collection of Marwal Polynesian busts.
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